Mark Steighner
To its great credit, Gothic 1 Remake does not try to smooth out the challenge or design approach of the 2001 original, choosing instead to make significant graphical upgrades and add layers of improvement to combat and other mechanics.
As a flatscreen port of a remake of a classic, The 7th Guest is a couple of generations removed from the original, which is still playable in some form. As innovative and important as it was in 1993, however, the original game is undeniably dated.
Thick as Thieves is a reasonably-priced $5 game with a solid foundation, but needs more playable characters, maps, depth, and encouragement for creativity.
First-person bullet hell shooters aren’t all that common, so Luna Abyss immediately stands out as something fresh. It’s a polished and confident game overall, and it doesn’t try to layer on too many systems or mechanics.
Whirlight: No Time to Trip is a hardcore homage to point-and-click puzzle adventure games.
Directive 8020 is Supermassive Games doing what it does best: making a horror adventure out of genre fiction. In this case, it’s body-snatching, Alien-hunting sci-fi and a diminishing crew under increasing pressure. Both its setting and time-jumping narrative construction make it unique, but it never strays very far from the constraints of its inspirations. Impressive visuals, effective performances and generally polished mechanics are countered by a muted tone, some dull exploration sequences and stealth. The game’s pacing and momentum sometimes feel out of whack. Still, both fans of Supermassive’s approach to storytelling and classic sci-fi will enjoy their time on Tau Ceti f.
Although the developers have promised new maps, stickers and other items, Kiln launches with only a single mode called Quench. It’s fun as far as it goes and the game’s mechanics and premise are clever, but it doesn’t take long for matches to grow familiar. It’s not always easy to fill in the ranks for a full team.
For the game’s reasonable price point, there’s plenty of content available, not to mention Steam Workshop support and custom scenarios. A bit of visual repetition and control quibbles aside, All Will Fall is overall a strong entry in the colony building sim genre.
I’m looking forward to seeing the story link system further developed in a more refined experience.
As with all expansions, playing the base game’s campaign first is recommended, but it’s also possible to jump almost directly into Lord of Hatred and enjoy the new classes. For anyone invested in the continuing saga of Lilith and Mephisto, Lord of Hatred is a rewarding new chapter.
REPLACED lives in a beautifully imagined dark and detailed world that’s immediately engaging. Characters and a narrative that are surprisingly nuanced and layered set the stage for action combat that relies pretty heavily on quick reflexes, stealth, and acrobatics. Some questionably telegraphed platforming and frustrating stealth sometimes get in the way, but on the whole REPLACED is a unique and thoroughly engaging sci-fi action game.
The combat mechanics, movement, and narrative are dialed in. The pacing is a little slow, especially in the first few hours, but Mouse: P.I. for Hire doesn’t take itself too seriously, and the overall energy and clever, fun concept carry it along.
Minos reminded me of playing one of those wooden ball-in-a-labyrinth toys, where you tilt the maze just so to guide the ball to the end. In this case, gravity is replaced by scores of devious traps, and the goal is to stop the progress of enemies before they can defeat the Minotaur. Minos brings a lot of interesting ideas to the tower defense genre. If you have patience for increasingly challenging puzzles and a bit of jank, Minos can be a lot of fun.
Gamers who have already invested hundreds of hours in another hack-and-slash RPG might not be tempted to make a lateral move to Dragonkin: The Banished. Then again, its depth of systems and generally excellent combat might be a satisfying alternative.
Definitely a closely-related sequel and not a dramatic reinvention, there are a few frustrating platforming mechanics and a narrative that is only slightly less impenetrable. Grime 2 definitely deserves to break more fully into the mainstream this time around.
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By both accident and design, there are times when clarity and user-friendliness temporarily disappear, and the game’s rough edges and opaque mechanics overshadow the fun. A lot of games over-promise and under-deliver. Crimson Desert is not one of them.
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Generally speaking, Styx: Blades of Greed’s move to a more open world is a good choice and plays to the title character’s strengths. Intricate level design and challenging stealth are matched by Styx’s new and returning toys. Apart from some technical misfires and my personal gripes with a few mechanics, Styx: Blades of Greed is not quite an open-armed introduction to the loveable green guy, but it should absolutely please fans of the series.