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The simulator part of the game is very much on point, the subject couldn't hold my attention. Throwing in the many bugs the Nintendo Switch suffered from I had little to no enjoyment out of this game.
Tokyo Scramble starts with a few interesting ideas, but it never manages to make them entertaining. Between the messy story, unclear stealth, recycled enemies, and a gameplay loop that quickly wears thin, this ends up feeling unfinished. I kept waiting for it to click, but in the end, it simply didn’t.
Project Motor Racing isn’t broken, but it is frustrating. It’s the kind of game that constantly reminds you of what it’s trying to be, rather than letting you forget and simply race. There are sparks of potential here, but they’re buried beneath awkward pacing, inconsistent handling, and a lack of player-centric design.
When I first got my hands on the Nintendo Switch version of one of the best racing simulators of the year, I really got excited. Too bad this quickly turned to frustration and disappointment. This version doesn't offer the same level of quality at all and suffers from missing modes and terrible technical performance in handheld mode. Yes, there's plenty of content to keep you entertained but it's not the best racing simulator on the system. Perhaps it's worth picking up when it's down to a lower price but at this point, it's not really worth your time or money.
SUMMERHOUSE works best as a small creative toy you pick up for short building sessions. It has charm and enough freedom to create some lovely little scenes, but the lack of guidance and awkward Switch 2 controls really hold it back. It can be relaxing, especially at its lower price, but there are better alternatives in the genre.
Still, depth alone doesn’t completely save the experience, which clocks out after a good five or six hours of story-driven gameplay. Why? Because ultimately, Bubsy 4D remains trapped between reinvention and nostalgia. It wants to modernize Bubsy while simultaneously preserving everything people remember about him, including many of the frustrating parts. The game constantly brushes against greatness without ever fully committing to it. You can see glimpses of an incredible platformer buried underneath the noise, but those glimpses never fully stabilize into something consistently excellent. And maybe that’s the most fitting outcome possible for Bubsy. Because, against all odds, Bubsy 4D actually succeeds in making Bubsy relevant again. Not purely as a meme, but as a legitimately entertaining, occasionally brilliant platformer revival with genuine mechanical ambition behind it. That alone feels borderline impossible. Unfortunately, even breathing new life into the franchise couldn’t fully save Bubsy from the same issues that have haunted him for decades. The uneven pacing, the frustrating design decisions, the technical roughness, and the overreliance on repetitive collect-a-thon structure keep dragging the experience back down whenever it threatens to truly evolve. Bubsy 4D is fascinating. It’s weird, it’s ambitious, and it’s messy. Sometimes it’s even genuinely great. But in the end, it still feels like Bubsy, and maybe that’s exactly the problem.
Thick as Thieves annoyed me more than I wanted it to, because the good parts are easy to see. The atmosphere is strong, some escapes really do get tense, and the idea of learning a location piece by piece fits the thief fantasy well. But the game keeps getting in its own way. Too many objectives are vague, too many systems are left half-explained, and solo runs start to feel like you are wasting time rather than pulling off a clever heist. Co-op might help with that, but it was not available in the review build, so I can only judge what I played. And as a solo stealth game, Thick as Thieves has promise, but not enough direction or variety to make that promise pay off.
Kiln has a clever core idea and some real Double Fine magic behind it, but right now it feels a bit too limited. The pottery mechanics are great, the multiplayer can be fun, but the game could really use more content and variety to keep things interesting long-term.
Tales of Berseria Remastered brings one of the best stories in the franchise to modern consoles, but the Nintendo Switch version never quite feels like a true remaster. Content-wise, there are some welcome quality-of-life improvements, yet graphical hiccups and a capped framerate prevent it from fully living up to that label. It’s still one of the strongest stories the series has to offer, but sadly not the best remaster.
While excelling in some parts with lots of customization and unlockables and great sound design, the game’s UI and in-menu storytelling reveal its mobile origin. You’ll spend quite some time racing, breeding perfect foals, and upgrading your homestead. But you’ll spend an equal amount in tedious stylised menus. If you’re really into equestrian games and able to look over its shortcomings, you’ll be able to see this as a cosy game with lots of upgrades and unlocks if you’re willing to spend the time.
Adorable Adventures is indeed very adorable, but could have been a bit more adventurous with its mechanics. It has a very clever core mechanic, but it could have used a bit more variation to really stand out. Even so, it’s still a fun little adventure, especially for younger players.
I Hate This Place has a strong identity and some genuinely compelling ideas. Its early hours make effective use of sound, darkness, and isolation, and its visual style gives it a personality that’s hard to ignore. But the systems underneath don’t push back hard enough to sustain that tension. Survival becomes comfortable, and for a horror game, that’s just a shame and something I can’t ignore. I didn’t hate my time with I Hate This Place, but it could have been so much better.
Shadow Labyrinth isn’t just a good Pac-Man game, it’s one of the most inventive revivals in Bandai Namco’s portfolio. It reimagines a classic without disrespecting it, fusing narrative ambition with tight, thoughtful gameplay. The story may surprise longtime fans, but it never feels forced. It’s a game that asks, what if Pac-Man had something to say, and then gives you the tools to listen and play. However, it feels like it could have been... more? Especially in a genre that's already oversaturated with top-tier indie games.
Rematch has potential, and that might be the most accurate word to describe it. The core concept is solid, the gameplay is responsive, and there's a clear effort to foster competitive play. But as of now, it's a bit too shallow for dedicated players and a bit too chaotic for casual ones. If Sloclap can cultivate a stronger community, add more ranked options, and offer varied content, this could become something special. Until then, it's a flashy first half with a lot of work left to do in the second.
If you’re new to the game, this is absolutely the one to get. But if you’ve been here before? It depends on how much that smoother performance means to you and whether you’ve got a co-op partner who’s just as ready to throw blocks with you for hours.
Invincible VS is more than just an arcade fighting game. It’s a tribute to the original material. The characters have been given great animation, and even feature (most of) the original voice actors. While some are missing from the roster, the replacement voice actors do a remarkable job. The combat and most modes are what you would expect from an arcade fighter, but the story mode is a great addition that puts all the characters in the spotlight. It is somewhat short, though. It’s more like an episode of a show instead of an entire campaign. A good fighting game needs a strong community to succeed, so the coming months will show if Invincible VS will be a hit. But if what I played is anything to go by, I think most players who come to this release because they love the show, will stick around because they will also fall in love with this game.
Pokémon Champions is surprisingly accessible without spending any money if you’re a casual VGC enthusiast. Launching with a few bugs and less content than fans of the series expected, it’s clear that we’ll have to wait for future updates to know where the series is heading in this purely online competitive Pokémon game. The fact that you can play the game without importing from Home by recruiting and tweaking stats on the fly makes this game a very competitive hub for the series. We hope future monetisation plans will not eventually wring out casual players from the game’s population. A tailored selection of Pokémon and items for this first season has both casual and competitive fans creating a brand-new meta for competitive play, and while it falls short in some areas, the game has the potential to become the ultimate generation-spanning battle arena for everyone.
Tides of Tomorrow introduces one of the most interesting gameplay mechanics in years, but it’s not without its flaws. The story lacks some depth, and the gameplay loop can become repetitive a bit too quickly. That being said, it still stands out as one of the more unique games out there and deserves credit for that. If you’re looking to try something different, this might be worth your time.
Life is Strange: Reunion wraps up the story of Max and Chloe in roughly 9 hours. It’s best experienced in one or two sittings to maintain its emotional momentum. While it never quite reaches the high standard set by the original game, it remains an enjoyable and worthwhile conclusion. Just don’t expect particularly challenging choices or complex time-bending puzzles
So, to conclude! GRIME II is a fascinating, sometimes frustrating, but ultimately worthwhile experience. It builds on the original in meaningful ways, especially in its gameplay systems and world-building. The mold system, which absorbs enemies and turns them into tools, is a standout mechanic that adds both depth and identity. The world is rich, strange, and consistently intriguing. And the studio behind it clearly understands what makes this universe unique. But it’s not without its flaws. The lack of direct storytelling can make the experience feel distant at times, especially for players who prefer a more guided narrative. The difficulty curve, while not unexpected, can feel uneven. And the grind required for certain upgrades occasionally disrupts the flow. Still, there’s something here that sticks with you. Maybe it’s the atmosphere, maybe it’s the mechanics, or maybe it’s just the sheer commitment to doing something different. Whatever it is, GRIME II earns its place, not as a flawless sequel, but as a bold one.